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    电影 荣耀六十年

    荣耀六十年

    影片信息
    • 片名：荣耀六十年
    • 状态：HD中字
    • 主演：Anna/Neagle/Anton/Walbrook/C./Aubrey/Smith/Walter/Rilla/
    • 导演：Herbert/Wilcox/
    • 年份：1938
    • 地区：英国
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：英语
    • 更新：2025-08-05 04:29
    • 简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor
    1938/英国/剧情 /英语/
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    剧情简介

    Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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    相关问答

    • 1.剧情片《荣耀六十年》在哪个平台可以无广告全集高清在线观看？

      爱奇艺网友：荣耀六十年高清完整版无广告免费在线观看地址www.myynseo.com/mydetail/44124.html

    • 2.《荣耀六十年》是什么时候上映的？

      八戒影院网友：1938年由导演Herbert,Wilcox完结并申请上映的，具体上映时间可查看百度百科

    • 3.剧情片《荣耀六十年》这个影片都有哪些明星出演？

      腾讯视频网友：主要参演的演员有Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla等明星

    • 4.网友对《荣耀六十年》评价怎么样？

      极速影院网友：这部剧情片制作精良，角色塑造鲜明，情感表达真挚，无论是画面还是配乐都极具感染力，演员演技在线，尤其是主角Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla的表演极具感染力。虽然某些细节稍显仓促，但整体观感流畅，值得推荐！

      优酷视频网友：从剧本到拍摄再到后期，每个环节都体现出极高的专业水准。演员们的表演极具感染力，角色性格鲜明，台词设计巧妙，加上精良的服化道和视觉效果，使得整部作品质感十足，令人回味无穷。

      哔哩哔哩网友：题材新颖，视角独特，Herbert,Wilcox导演用扎实的叙事能力将一个看似普通的故事讲得生动有趣。配乐和剪辑相得益彰，情感渲染力强。虽然部分桥段稍显老套，但无碍整体优秀表现。

      爱奇艺网友：作为一部英国剧情片，它成功平衡了娱乐性和深度，动作戏设计精彩，文戏也不落俗套。角色成长线清晰，主题表达明确，尽管某些转折略显生硬，但仍不失为一部诚意之作。

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