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    电影 德拉克的回归
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    德拉克的回归

    Dragon Returns

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    • 片名：德拉克的回归
    • 状态：HD中字
    • 主演：拉多万·卢卡夫斯基/古斯塔夫·瓦拉赫/艾米丽娅·瓦萨约娃/威廉·波洛尼/Jela/Buckova/Jozef/Cierny/Pavel/Chrobak/米库拉斯·洛迪津斯凯/Ivan/Macho/Ján/Mildner/Andrej/Mojzis/Jan/Pelech/卢多维特·赖特尔/斯特凡·克维季克/Milan/Mach/
    • 导演：爱德华·格莱纳/
    • 年份：1968
    • 地区：其它
    • 类型：剧情/
    • 时长：内详
    • 上映：1968-05-10
    • 语言：其它
    • 更新：2025-08-05 04:01
    • 简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
    1968/其它/剧情 /1968-05-10上映/其它/
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    剧情简介

    与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

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    相关问答

    • 1.剧情片《德拉克的回归》在哪个平台可以无广告全集高清在线观看？

      爱奇艺网友：德拉克的回归高清完整版无广告免费在线观看地址www.myynseo.com/mydetail/50921.html

    • 2.《德拉克的回归》是什么时候上映的？

      八戒影院网友：1968年由导演爱德华·格莱纳完结并申请上映的，具体上映时间可查看百度百科

    • 3.剧情片《德拉克的回归》这个影片都有哪些明星出演？

      腾讯视频网友：主要参演的演员有拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach等明星

    • 4.网友对《德拉克的回归》评价怎么样？

      极速影院网友：这部剧情片制作精良，角色塑造鲜明，情感表达真挚，无论是画面还是配乐都极具感染力，演员演技在线，尤其是主角拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach的表演极具感染力。虽然某些细节稍显仓促，但整体观感流畅，值得推荐！

      优酷视频网友：从剧本到拍摄再到后期，每个环节都体现出极高的专业水准。演员们的表演极具感染力，角色性格鲜明，台词设计巧妙，加上精良的服化道和视觉效果，使得整部作品质感十足，令人回味无穷。

      哔哩哔哩网友：题材新颖，视角独特，爱德华·格莱纳导演用扎实的叙事能力将一个看似普通的故事讲得生动有趣。配乐和剪辑相得益彰，情感渲染力强。虽然部分桥段稍显老套，但无碍整体优秀表现。

      爱奇艺网友：作为一部其它剧情片，它成功平衡了娱乐性和深度，动作戏设计精彩，文戏也不落俗套。角色成长线清晰，主题表达明确，尽管某些转折略显生硬，但仍不失为一部诚意之作。

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